(Panel from a mystery book I am SUPER excited to be a part of.)
Showing posts with label preview. Show all posts
Showing posts with label preview. Show all posts
Thursday, November 8, 2012
Little pieces of the sun
I'm going to be in Hawai'i for the next week (!!!), but I'll leave you with some art and an Obama video. Back soon, hopefully with happy sunny sketches to show~
(Panel from a mystery book I am SUPER excited to be a part of.)
(Panel from a mystery book I am SUPER excited to be a part of.)
Sunday, July 15, 2012
I've got something to say my friends
The big SDCC news for me this weekend was Oni Press's announcing my book with Jamie Rich, A Boy and a Girl. I believe there will be more news at NYCC in October. Here are some of the teasers you may have seen me post over the last year and a half:
In totally unrelated news, here are some animal sketches I did this weekend:
In totally unrelated news, here are some animal sketches I did this weekend:
Wednesday, November 2, 2011
Dare to be one of us girl
Here are some sneak peaks at my project with Jamie Rich:



I only have 24 pages left to draw! It's racing by. I am thumbnailing the last pages for my other graphic novel this week as well. I've only been working on these books for 10 months, but it's going to feel like the end of an era when I wrap them up.

My roommates and I are watching THE CUTEST cat this week. We are considering adopting her, but she tested positive for Feline Leukemia Virus and we need to learn more about that and whether or not we'd be able to give her a good home.
At least for now, though, KITTY!!

I really hope that it works out. We have been talking about getting a cat since we moved in last year, but we need a cat that is grown, well-behaved, can be alone during the day, and is alright being an indoor cat. Until now, we hadn't found one. Toushe is a tiny, grown, female cat whose needs I think match ours. She's quiet as a mouse, loves people, and has a calm demeanor I just LOVE. Having claws and long hair were not on my list of ideal traits, but the more time I spend with her, the less I care.



I only have 24 pages left to draw! It's racing by. I am thumbnailing the last pages for my other graphic novel this week as well. I've only been working on these books for 10 months, but it's going to feel like the end of an era when I wrap them up.

My roommates and I are watching THE CUTEST cat this week. We are considering adopting her, but she tested positive for Feline Leukemia Virus and we need to learn more about that and whether or not we'd be able to give her a good home.
At least for now, though, KITTY!!

I really hope that it works out. We have been talking about getting a cat since we moved in last year, but we need a cat that is grown, well-behaved, can be alone during the day, and is alright being an indoor cat. Until now, we hadn't found one. Toushe is a tiny, grown, female cat whose needs I think match ours. She's quiet as a mouse, loves people, and has a calm demeanor I just LOVE. Having claws and long hair were not on my list of ideal traits, but the more time I spend with her, the less I care.
Sunday, January 30, 2011
Monday, November 29, 2010
It'll all get better in time
I drew my holiday card design last night, and thought I'd post the process for those interested:

I came up with a couple of ideas that I thought would work for the card, but as soon as I drew the girl with her reindeer, I didn't want to draw anything else.
I searched Google Image for reference. I liked this site a lot, and I found my reindeer's pose here.

I posed for a reference shot to use for the girl. Necks, shoulders, and arms are the most difficult for me to draw correctly from imagination. Even a somewhat similar reference pose is a big help. I used things like my hood and wrinkles around my elbows in the final drawing as well. I used this expression, but tried to change the face shape.

I penciled with non-photo blue lead. Pros: don't have to erase after inking, so ink scans nice and dark, paper doesn't degrade from erasing, and I save time and energy. Cons: can't erase, so pretty much have to get it right the first time, and the original will have lots of visible blue lines.
At this point, I generally know what the setting will be, but I get my characters in place first and leave drawing the background for later, since it should complement their pose and composition.


I inked the foreground first, and went left to right whenever possible.

I inked her hair without clear pencil lines, and ended up with the braid being out of perspective. I have to remember it's worth the time to put down my brush and tighten up my pencils when I run into these areas...



I started to stray from my pencils in the background. I realized that the hay/wall division was too high for the perspective I was using.

I used a photo of the image and messed around with it in Photoshop to test out a new background composition.



I added a spot black in the background to help frame the important part of the composition (reindeer face, girl face, hands). That left hand looked ungrounded, so I increased the shadow that it cast.

I scanned the image into Photoshop, cropped, adjusted the levels to get rid of any visible pencil lines and make the ink dark, converted to bitmap, and saved as a Photoshop file. I closed and reopened it, edited the line art, and converted to grayscale.

I converted the image mode to CMYK, added a layer set to 'multiply' called 'flats', and began flatting the image. My black and white line art stayed untouched on the background layer.

I colored the reindeer on a new layer so I could push color around with the brush tool and not ruin the flats around it. Then I selected the areas around the reindeer on the flats layer, moved back to the reindeer layer, and deleted where I went outside of the lines. I merged the reindeer layer down onto the flats.

I made some adjustments to the flats like differentiating the foreground and background wood and changing the levels and saturation of different areas to complement the girl and reindeer.

I added some highlights and color to the flat layer (blue reflection in sleighbells, pink flush on her cheek, white highlights on reindeer and her hair). On a new layer called 'shadow' set to multiply, I add shadows in a reddish gray.

I made a final layer called 'effect' set to multiply and added a radial gradient in the same tone that I used for shadows. This is a little cheat to pull the eye to the center of the image.

I came up with a couple of ideas that I thought would work for the card, but as soon as I drew the girl with her reindeer, I didn't want to draw anything else.
I searched Google Image for reference. I liked this site a lot, and I found my reindeer's pose here.
I posed for a reference shot to use for the girl. Necks, shoulders, and arms are the most difficult for me to draw correctly from imagination. Even a somewhat similar reference pose is a big help. I used things like my hood and wrinkles around my elbows in the final drawing as well. I used this expression, but tried to change the face shape.
I penciled with non-photo blue lead. Pros: don't have to erase after inking, so ink scans nice and dark, paper doesn't degrade from erasing, and I save time and energy. Cons: can't erase, so pretty much have to get it right the first time, and the original will have lots of visible blue lines.
At this point, I generally know what the setting will be, but I get my characters in place first and leave drawing the background for later, since it should complement their pose and composition.
I inked the foreground first, and went left to right whenever possible.
I inked her hair without clear pencil lines, and ended up with the braid being out of perspective. I have to remember it's worth the time to put down my brush and tighten up my pencils when I run into these areas...
I started to stray from my pencils in the background. I realized that the hay/wall division was too high for the perspective I was using.

I used a photo of the image and messed around with it in Photoshop to test out a new background composition.



I added a spot black in the background to help frame the important part of the composition (reindeer face, girl face, hands). That left hand looked ungrounded, so I increased the shadow that it cast.

I scanned the image into Photoshop, cropped, adjusted the levels to get rid of any visible pencil lines and make the ink dark, converted to bitmap, and saved as a Photoshop file. I closed and reopened it, edited the line art, and converted to grayscale.

I converted the image mode to CMYK, added a layer set to 'multiply' called 'flats', and began flatting the image. My black and white line art stayed untouched on the background layer.

I colored the reindeer on a new layer so I could push color around with the brush tool and not ruin the flats around it. Then I selected the areas around the reindeer on the flats layer, moved back to the reindeer layer, and deleted where I went outside of the lines. I merged the reindeer layer down onto the flats.

I made some adjustments to the flats like differentiating the foreground and background wood and changing the levels and saturation of different areas to complement the girl and reindeer.

I added some highlights and color to the flat layer (blue reflection in sleighbells, pink flush on her cheek, white highlights on reindeer and her hair). On a new layer called 'shadow' set to multiply, I add shadows in a reddish gray.

I made a final layer called 'effect' set to multiply and added a radial gradient in the same tone that I used for shadows. This is a little cheat to pull the eye to the center of the image.
Wednesday, October 27, 2010
It's not for you to know or for you to even wonder

I've been a-hankering to do some Utena fan art. Today was finally the day, as I finished freelance stuff early! :D
Some other chicken-scratch pose ideas:

Hnnn, I can't wait to get back to Over the Surface...! Chapter 3 has been thumbnailed for almost a month, but I can't start pencils until Between Gears is done (for my own sanity).



Oh, the things I draw before sleep. So weird.



Saturday, October 23, 2010
I can be myself, how 'bout you?
Here's another new art piece--an original character I'm developing for the same story as this character.

Also, a commission of David Tennant as Doctor Who:

Also, a commission of David Tennant as Doctor Who:
Wednesday, October 20, 2010
I feel the break

Faith fan art, from Graduation Day part 1, the line starting with, "Look at you..." (around 6:30 in this video). I loved that confrontation!
There will be colors eventually.
Thursday, October 14, 2010
Thursday, September 30, 2010
A family of trees
Because I keep alluding to projects that you have seen next to nothing from, have some chilluns:

This has been a fun style to draw in. It's easier to be expressive with such simplified characters. I can't wait to show you more!
I do so love drawing children. And old people. And trees. (Someday, I will come out with a massive graphic novel that is just grandparents and grandchildren playing in the forest. Get excited! xD)
Also! I forgot to list the original line art for the Batgirl and Let Me Go illustrations on Comic Art Fans, so now those are available here.

This has been a fun style to draw in. It's easier to be expressive with such simplified characters. I can't wait to show you more!
I do so love drawing children. And old people. And trees. (Someday, I will come out with a massive graphic novel that is just grandparents and grandchildren playing in the forest. Get excited! xD)
Also! I forgot to list the original line art for the Batgirl and Let Me Go illustrations on Comic Art Fans, so now those are available here.
Sunday, August 29, 2010
Monday, July 5, 2010
You know I know when it's a dream

This is my favorite thing I have drawn in a looooooong time. I've been self-deprecating this month, so allow me to balance that out by saying that I love this drawing.
Here is about half of what I drew in my sketchbook while I was away this week. The other half is either meh, or I am saving it for next year's sketchbook minicomic:


I hope I get to draw this lady soon~! I'm guessing it'll be another year until she comes in, though.


We saw a little girl in a restaurant in Ashland with pigtails, and one of them was hanging on for dear life :P She looked so cute and lopsided!!

I am terrified of drawing straight with pen and no pencil, but I like the way that some of those drawings turn out. Eyes are often uneven, but I get nice gesture lines that I lose through editing my line art.


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